Hannah Morris Photography
scottish photographs by Hannah Morris
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Studying photography?
I also have found that the department of Photography at the University of Florida has
provocative & experimental courses in the setting of a very large and diversified
university. As it has such highly regarded programs of studying in photography in the US,
they draw on substantial faculties in the broad field of visual inquiry.
Students are encouraged to develop their personal artwork through dialogue with peers and
faculty and the community. They particularly encourage work that engages the future of
photography and related media (such as installation and performance) which develops an
informed inquiry to the history and practices of photography.
The university view their
cooperative relationships with other areas of the School such as sculpture, painting and
performance, alongside those outside the areas such as English studies, Film Studies and
Architecture as a significant resource, and believe strongly in fostering the
interdisciplinary exchange.
I have heard the Programs also stress questions of audience,
while each student is encouraged to utilize more traditional venues, they also emphasize the
importance of creation and alternative exhibitions in sometimes public spaces. They
understand that operations set up in public spaces are to include not just the material
production of site, but also in the burgeoning fields of electronic communications.
Facilities
Their programs focuses attention on integration of traditional photographical practices with
new and exiting technologies inside the structure around the curriculum. Their traditional
labs include a full array of white and black and color equipment, including a Kreonite
coloring processor which can print up to 40 inches in width. The entry level digital course
is taught in well equipped computer laboratories, administered by central University
computer facilities.
The graduate and advanced undergraduates have access to the
Photographers area's Arts Laboratory production room, equipped with Mcintosh computing
equipment and modern versions of most prevalent production computer software, including that
of a G4 video editing place and an Epson 9000 printer that can print up to 45 inches in
width! They provide several darkrooms for individual graduate students, equipped with
several enlargers having black and white or colour heads that can accommodate up to 4"x 7"
formats. The undergraduates work together in a group area equipped for both black/white and
color processors. There are studios and copy room facilities available to all the students
in the local area.
Seminars
Apparantly the graduate Photography and Interdisciplinary Seminars provide the opportunities
for structured critique and arguments, with all the faculty members plus graduate students
around the area present. As an extension of their emphasis on interdisciplinaries exchange,
students with faculty from other discipline areas are encouraged to attend creating
environments of lively debate and exchanges. All the Photo faculty members would also be
available by appointment so students are encouraged to meet up for individual critiques for
advice. Also, there are vigorous programs with the visiting artists, theorists and
historians at the School, to the Harnar Museum, and to the University.
Their Department of Art is recognised by the National Association of Schooling of Art and
Designs.
Their Departments of Art offer programs that can include the scholarly fields of artistic
history, theory and criticism. The studio fields of drawing and painting and entertainment
art/ animations, printmaking, sculptures, crafts (including wood and metal), ceramics
(including glasswork), graphic designs, creative photography days, illustrations, and
exhibition designs, and the single subject teaching of art education.
The Curricular plans for Bachelor of Arts and Bachelor of Fine Arts are being developed to
meet the individual needs and interests of each student in art and the general objective of
the program is to provide a comfortable learning environment that contributes conceptually
to the development of the art historians, the visual artist and of course, the art teacher.
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